Katie CotugnoKatie Cotugno
Tellin' stories, eatin' snax. NYT bestselling author of messy, complicated, feminist love stories
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five good things 0 comments

five good things

Katie

July 31, 2015

1. I finished Deathly Hallows last night. I have a lot of things to say about this project, and these stories, and how something about reading them reminded me so much of like, being 12 and lost in book all summer long, but mostly I just really liked them and am really happy I did it, the end, all was well.

2. Beyond the Lights, which I finally watched last weekend and which was so smart and sexy and wonderful and unexpected. I just really appreciate it when romances don’t talk down to people who like romances. I also appreciate movies with hot cops.

3. After living here for 12 years I have done two new-to-me Boston things this summer, Revere Beach and the Arnold Arboretum, both of which were lovely and also good reminders to like, use a different T line every once in awhile. Who knows what I’ll do next? Maybe the Freedom Trail! Just kidding I would never do the Freedom Trail in the summer, I’m not a fucking tourist.

4. Margaret H. Willison’s beautiful, devastating essay about losing her dad, which destroyed me and also made me smile like only the best writing can.

5. Summer vacations! This blog is going mostly quiet for the month of August while I finish a revision and eat ice cream and brainstorm some rockin’ new content for the fall. The exception to this rule is 5 Good Things, which will continue comin’ atcha every Friday because I do what I want.

Happy weekend, yous. xoxo

five corners 0 comments

five corners

Katie

July 28, 2015

The thing about renovating a hundred-year-old row house is that it looks worse (a lot worse) before it looks any better. Still, here are some bits I’m loving lately. Hoping to make this into a series as we make some progress.

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five good things 0 comments

five good things

Katie

July 24, 2015

1. The kind of friend who will order an extremely expensive post-birthday party grilled cheese sammich from room service when there is no pizza to be found within six blocks of your hotel room, then eat it with you in bed while watching Property Brothers and reading People.

2. Midsummer and planning trips for the rest of it, pulling the first really red tomato off the plant on the deck, ordering shutters, keeping very little in the fridge.

3. I promise that soon this will stop being a Harry Potter blog, but in the meantime: HARRY POTTER IS GREAT, I’M GOING TO BE SO SAD WHEN IT’S OVER. I cried over Dumbledore even though I have a lot of mixed Dumbledore feelings. I look forward to googling “Dumbledore think piece” as part of my post-read Harry Potter internet deep dive.

4. Earlier this week I was annoyed at everyone and everything so my husband met me for beers after work and we ate nachos and he made me laugh and we walked home while it was still light out and watched some dumb show on TV and went to sleep, and I dunno, maybe that’s all marriage is, the person you can tolerate being with when the entire universe invites your pure unbridled loathing.

5. I dragged a bookshelf up a flight of stairs by myself last night. It is a miracle I did not die.

Happy weekend. I’m going to the beach.

Ladies + Fandom 0 comments

Ladies + Fandom: E.K. Johnston

Katie

July 22, 2015

When I first had the idea for a Ladies + Fandom series, I thought to myself: “I am not even going to do this if I can’t get Kate.” E. K. Johnston is my go-to funny, thoughtful human for all things fandom-related (and also just like…all things). Unsurprisingly, she gives great interview.

EKJ high res

E.K. Johnston had several jobs and one vocation before she became a published writer. If she’s learned anything, it’s that things turn out weird sometimes, and there’s not a lot you can do about it. Well, that and how to muscle through awkward fanfic because it’s about a pairing she likes.

You can follow Kate on Twitter (@ek_johnston) to learn more about Alderaanian political theory than you really need to know, at her website for book info (ekjohnston.ca) or on Tumblr (ekjohnston) if you’re just here for pretty pictures.

 

Who/what are you fannish about? Why do you love it/them so much? Is there anything you don’t love about it/them?

I am fannish about a lot of things, but for purposes of this interview, I am picking a favourite. It was hard. But I think the TV show SANCTUARY really distills my fannish experience quite well, and also I flipping adored it.

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SANCTUARY was a great show for a bunch of reasons, but my loves for it revolve mostly around how Amanda Tapping was the lead (so, a woman in her forties), and also that the show as explicitly about how we treat Other. It had action and mad science and back story and period costume and explosions and exactly the right amount of kissing and also a lot of fire arms. The only thing I didn’t really love was Will, but that was mostly because he was entirely forgettable. There’s a meta thing about being the straight white dude on a show specifically about people who are Other, perhaps, but my failure to connect with him largely relates to the fact that he never got any better at his job over the years we watched him work it.

 

What’s your favorite part of being a fan? What’s your least favorite part? 

I think my answer for both of these things is “community”. We are great at supporting one another, most of the time, but when a fandom goes sour, it goes sour. For example, I really and genuinely like all of the Star Wars movies, which means not only do a lot of people assume I’m an idiot or a fake, but also that I am CONSTANTLY exposed to a barrage of, for lack of a better term, microaggressions. Still, the good has more than outweighed the bad, at least for me.

i hope you appreciate what i go through for you

Have you ever written fic or made fanart (of this thing or of other things)? Would you? Would it wig you out if someone wrote fic or made fanart of your work, would you think it was awesome, or somewhere in between?

AHAHAHAHAHAHAHAHA

I mean: Yes. I have. Since 2003, I have committed some 625K of fanfic, across 40 fandoms. (And a few fanvids, but I am not very good at vidding, so the only one I really like to mention is the John Druitt Character Study vid to PAINT IT BLACK which more or less did what I wanted it to.)

I would love to see fanart for OWEN that isn’t made by my nephew, and someone made a video for A THOUSAND NIGHTS already that is GORGEOUS. I probably would not read the fic (because of Reasons), but knowing it exists would make me quite happy.

boo-yeah

What has your experience been as a lady in fandom? Do you feel like fandom is a gendered space? Have there ever been times you felt unwelcome?

My introduction to fandom was on a very moderated chat board called Your Tax Dollars At Work (it was all crime procedurals, predominantly CSI and Without a Trace, but the other shows were somehow related to the government), and after that I moved to LiveJournal, which is also very curated. What I’m saying is that my fannish experience has been entirely controlled, and mostly contained in something I built myself. By the time I moved to Twitter and Tumblr (move incomplete: I will cling to my lj until the world burns down), I already had a pretty large group of trusted friends, and they mostly agree with me about things.

more normal already

There is a thing somewhere about men collect and women create (so fanboys want all the action figures and women do art, though obviously there is some crossover), and I think that is probably true. That said, it’s easy to find and/or make a safe space online (though it takes time and effort). I have never felt unwelcome in any of my fandoms, and I hope I’ve never turned anyone off of something either.

What has being a fan taught you? 

To listen, more than anything. To find the thing you love and then be willing to see its flaws without killing yourself or it. To understand that you can feel so many things about something and someone else will feel nothing at all. To find the cracks in stories where conversations and education can happen, and to widen them enough to fit in everyone who wants to know more, without breaking anything. To dream. To want more and make it yourself, because there is no one else who is better qualified.

Feel the Power

How do you think being a fan (of this thing or of other things) interacts with or influences your writing? 

Joss Whedon has rather famously said that if you declare yourself politically you destroy yourself artistically, and I get what he’s trying to say, but I’ll add that I think he’s a bit of a coward for limiting himself that much. The community of people I met online in fandom has expanded my awareness exponentially, and yes, that DOES mean I have to take more consideration when I write things about race and sex and so on, but without that sort of progress, WHAT IS EVEN THE POINT?

you disappoint me

More specifically, SANCTUARY has shaped my writing and world-view in ways I can’t even measure. For starters, I wrote almost 200K of fic in 2011, and the improvement in my writing is kind of fabulous. I met some of the best writers I’ve ever known in that fandom, and they helped me get better both with words and with social outlook.

Also, I will probably be trying to duplicate a relationship like Helen/John/James for the rest of my life, because, just, damn.

fiction 0 comments

fiction: pack animals

Katie

July 21, 2015

The first time Maggie sees the coyotes it’s in the afternoon and there are three of them, a family, their small gray wily bodies just disappearing through the cluster of pine trees at the far end of the yard, where the winter woods begin. At first, she thinks they’re foxes. Then she blinks, and they’re gone. She’s standing at the sink scouring a stockpot–the dishwasher is leaking again–barefoot on the towel she put down to sop up the puddle, an old threadbare one she uses on the dogs. The spray from the faucet splashes the front of her thermal as she stares at the vacant tree line across the long expanse of acreage beyond the barn. Cold air slices through the kitchen. The tenant ambles through the back door.

“Sorry,” Maggie says, startled, turning away from the grimy window and pushing her hair out of her face with one soapy wrist. Some days Maggie thinks she will be apologizing for the brokenness of this house for the rest of her life. She motions at the dishwasher, embarrassed, feeling like some red-faced pauper woman out of Charles Dickens. “I’ll call the guy in the morning to come fix it.”

“It’s fine,” he says, shaking his sandy head and stepping over White Dog, who’s lounging on the floor in front of the oven. He’s wearing baggy jeans and a hooded sweatshirt, the tenant; he looks even younger than usual, which is young. “I can take a crack at it first, if you want.”

Maggie considers this. She doesn’t think of the tenant as handy with appliances, though she supposes there’s no reason he couldn’t be. Last time the dishwasher broke Grant was home between deployments and he tried to teach her how to fix it, but since he died Maggie’s gotten used to calling for one form of help or another, a parade of repairmen in and out of the house. She should have paid closer attention. “Sure,” she says. “Knock yourself out. Thanks.”

“No problem.” The tenant–Sam–shrugs again. He is the calmest person Maggie has ever met. When he first moved into the half-finished space above the barn at the beginning of January she worried he was on drugs but now she thinks it’s actually just his natural state of being, the zenned-out kid in the back of the classroom. Maggie has never, ever been that kid.

She puts the pot on the drying rack and wipes her raw, red hands on her jeans. “Pasta okay?” she asks, opening the fridge and pushing aside the last of Monday night’s chili. Whenever Sam cooks he makes enough for all of New England, which is a thing she sort of likes about him. She’s brought leftovers to work all week. “I can make meat sauce.”

“Pasta’s great,” Sam says, stepping out of the way as Black Dog wanders in from the dusty dining room and heaves himself down on the tile next to his brother. “You need any help?”

“Nope, I’ve got it,” Maggie says, glancing out the window one more time. It’s barely four o’clock but the sun’s already setting, that pale pink light. She thinks she sees some movement, a tail maybe, but when she squints there’s nothing there. It feels alarmist to mention it. “Thanks, though. I’ll yell up before I leave.”

Sam heads out through the back door, his narrow frame receding past the shriveled vegetable garden and towards the barn. Maggie lets out a long exhale, the air whooshing out of her lungs like the intubation bags they use at the hospital. It’s been six weeks now, and it’s actually fine, but it’s awkward, still, like they haven’t quite figured out how to navigate one another. They are very polite. Maggie can never decide how formal she needs to be with him, if he calls her the Widow Porter to all his friends. He knocked on the back door every single time he wanted to use the kitchen until she explicitly told him he didn’t need to.

Through the window Maggie watches the lights go on in the workshop where he builds his chairs and tables, then a minute later in the sleeping loft upstairs. It’s strange, having someone else live here. She’s oddly aware of when he comes and when he goes.

Maggie glances at the tree line one more time, feels a low roll of dread rumble through her like the sound of thunder two towns over. She fills the clean stockpot with water and turns on the stove.

 

*

 

On Tuesday morning she gets done with her shift and finds her old green Jeep completely dead in the hospital parking lot, sitting there like some rusted bit of public art from the Clinton Administration. Maggie swears, a hot spinning panic rising in her chest before she can quell it. She breathes. This happens sometimes now, these waves of suffocating helplessness that never once hit her when Grant was in Iraq or Afghanistan. She was brave, then; she once chased a family of raccoons out of the living room wearing pajamas and a pair of galoshes. She feels like she ought to be more equipped to solve her problems alone.

Finally she pulls it together and calls the garage in Burlington, arranges for a tow she can’t nearly afford. Then she calls the tenant. “I know it’s early,” she apologizes, wrapping an arm around herself to keep warm and feeling that same broken-dishwasher humiliation, like her life is a mess and this stranger is witnessing it. She’s still got her scrubs on under her parka. “I wouldn’t ask, but.”

“It’s no problem,” the tenant says, and Maggie doesn’t know him well enough to be able to tell if he’s lying from the sound of his voice. Either way he shows up twenty minutes later in the pickup truck, wearing one of those corduroy jackets with the shearling inside, the kind every boy Maggie knew in high school always wore and Grant never did. There are two Dunkin’ Donuts cups in the console. Sam hands her one. “So this is where you work?” he asks, peering up through the windshield as they turn out of the lot.

“Yup.” Maggie takes a sip of her coffee, surprised at the gesture. For eleven years, she doesn’t add, as a nurses’ aide. She was going to finish nursing school, but she married Grant instead. Both of them gave up so many things. “Up in the NICU,” she says.

Sam looks startled by that. “Lot of sick babies?” he asks.

“Some,” Maggie says. His whole body’s gone quiet and still, an animal in the woods who’s heard a sound. It’s not posture she’s seen out of him before.  “Some of them are just small.”

Sam nods. He doesn’t talk again until they get off the highway, pine trees and the black crust of old snow along the sides of the road. “Dishwasher’s fixed,” he says.

“Oh!” Maggie says, taken aback both by the change of subject and by the repair. “Thank you.” It’s not that she wasn’t expecting follow-through from him, it’s just that–well, yeah, she wasn’t really expecting follow-through. It’s nice.

“No problem,” Sam says again–it’s a thing he says a lot, she’s noticing, like there are bigger things in life for him to worry about. “It was just a belt thing. My brother’s a plumber,” he explains, when Maggie tilts her head. “I used to work for him in high school.”

Maggie nods. It’s warm in the cab of the truck, the wheezy heat turned all the way up and the cup in her hands. She tries to remember the last time anyone drove her anyplace, and can’t. The inside of the truck is cleaner than she might have expected it to be; she’s not very generous in her assumptions about people, was a thing Grant used to say.

“Lot of brothers and sisters?” she asks, more because it seems like the situation demands a kind of benign politeness than out of actual curiosity. She doesn’t know very much about him, is the truth. They haven’t talked a lot since he moved in—it feels cleaner that way —but she finds she likes the sound of his voice as he tells her about his sister in New Mexico and another in Chicago, both way older than him.

“Everybody spread out when I was pretty young, so I stuck kind of close to home, you know?” he says, making the turnoff from the main road onto their narrow, winding lane. “We were only living like six blocks from my mom in Nashua, before I came here.”

Maggie catches that we and wonders who he’s talking about, but it feels like prying to ask and anyway they’re pulling into the long, rocky driveway, the farmhouse slouching into the landscape at the end of it, all peeling paint and crumbling chimney. The barn lists, just slightly, to one side. It’s freezing up in the hayloft, Maggie knows, even with the space heaters; it occurs to her, not for the first time, to feel bad that he’s paying actual money to live here. Maggie grew up in this place, knows all the creaks and groans and shadows. She feels as if she pulled a fast one on this kid.

“Sam, how old are you?” she asks, then hedges. “Is that an inappropriate question? As your landlady-type?”

Sam laughs at that–a new sound, and a nice one. He turns off the truck but doesn’t make any move to get out of it. “Probably,” he tells her. “But that’s okay. How old do you think I am?”

“Eleven,” Maggie says immediately.

“Twelve,” he deadpans, taking another sip of his coffee. “I’m twenty-four. How old are you?”

He’s twenty-four? Jesus Christ. Maggie stalls for a moment. She doesn’t know why it matters–it doesn’t matter, he’s her tenant and that’s all–but God, in this moment she feels ancient. She tucks one leg underneath her in her, shaking her head. A widow in a haunted house. “Older than that,” she finally says.

“Not by much,” Sam predicts. “Come on, I told.”

“You did,” Maggie agrees, and smiles for the first time all morning. “Looks like snow,” she says.

 

*

Once she can hear his saw going in the barn she makes herself some breakfast and lets the dogs out to pee, then finishes her coffee and stands at the back door calling their names until they come trotting back home. They’re Husky mutts, both of them, balls of fur all over the house like tumbleweeds. It used to make Grant crazy. Grant wanted a baby, and they got two dogs instead, and now there’s not a single bit of him left in the breathing world. Maggie thinks, with a familiar ache behind her breastbone, that she wasn’t very generous in a lot of ways.

Now she climbs upstairs to bed and settles the dogs on either side of her like a burrow, like a place to keep safe. “Sleep,” she tells them both, and they do.
*

 

Sunday is her night off so she reads for an hour and goes upstairs early, has a bath in the old claw-foot tub. She cries a bit, which happens now if she gets too warm or cold or tired. She uses the fancy bath salts she got in the Christmas grab bag at work.

When she’s through Maggie puts on sweatpants and an old Pats t-shirt of Grant’s that doesn’t smell like him anymore, rubs vanilla lotion into her elbows and knees. She’s climbing into bed when she catches some movement though the window above the nightstand; she narrows her eyes and there’s the tenant in a slice of pale winter moonlight, kissing a tall blonde-haired woman up against the driver’s side door of his truck.

Maggie gasps, she can’t help it, feeling old and used-up and easily scandalized. She hasn’t been kissed on the mouth in nearly a year. She thinks of her last night with Grant when she’s in the mood to torture herself, how angry she was he was leaving again and how she stayed quiet on purpose as a punishment, sinking her teeth into his shoulder when she came. She should have been better, she should have been easier on him. Sam’s got one hand on the blonde woman’s ass.

Maggie’s heart thumps unpleasantly but she watches them anyway, another full minute before she hears it: the shriek of a coyote in the distance, like the sound of a desperate woman’s scream. Maggie jumps. Sam and his date spring apart, the sound of their nervous laughter muffled by the distance and the glass before they hurry toward the barn, blurry figures holding hands in the darkness. Maggie gets into bed and turns out the light.

*

 

Sam turns up by himself the next morning, through the back door with a rattled expression on his normally smooth face. “Uh, hey,” he says, rubbing the back of his head like he’s got to tell her something and he thinks she’s going to be upset about it. He smells like someone who’s been cold getting warm again, a thermal human smell. “Did you know there’s coyotes around here?”

Maggie busies herself at the coffeemaker, pouring a second cup. “I did,” she confesses, not looking at him. “I saw.” She thinks of him out there with that woman in the moonlight, his hands on her body and his mouth on her neck, and feels herself flush warm inside her clothes. Then, when she’s arranged her expression into something she hopes is appropriately neutral, a landlady kind of face: “Back by the woods, yeah?” she asks. “Or closer?”

“No, back by the woods.” Sam looks worried, for someone who grew up in New Hampshire. “I’m going to be gone overnight, is why I wanted to make sure and mention it. I’ve got a delivery up in Maine.”

Maggie smiles at the sentiment, like he thinks he’s going to protect her. Like he can. She forgot for a minute—for a night—how young he is. It’s reassuring to remember. “I’ll be fine,” she promises, getting a second mug off the rack and filling it for him. Black Dog, who’s been lying under the table, nudges at her thigh until she opens up the jar of treats.

“What’re you delivering?”

“Bedroom set,” Sam tells her. Then, shyly, as he reaches for the sugar bowl: “You wanna see?”

Maggie hasn’t been in the barn much since he started working out here, the cold smell of snow and sawdust and the dirt half-frozen under her boots. He’s set up a makeshift shop for himself, sawhorses and a long utility bench, pegboards to hang his tools on and a dock for his iPod plugged into the wall. On the far side over by the staircase, the space heater’s whirring ineffectively away.

The furniture’s more modern than she was expecting, a dresser and a canopy bed for a couple up in Bangor. It’s clean and it’s simple, blonde wood and smooth lines. Maggie looks at the slow, graceful curve of a new mother’s rocking chair, then back at Sam, the sudden animal longing so strong she wonders if he can smell it.

He can’t, thank God: “What do you think?” he asks hopefully, his smile crooked and eager. Maggie feels her breath catch behind her ribs.

“S’beautiful,” she murmurs, pulling her jacket around her more tightly, wanting to put as many layers as possible between the world and her traitorous body. She glances out the barn door, squints at the barren trees across the property. She should build a tall fence, she thinks.

 

*

 

The next morning she goes to put the sheets in the dryer and finds his stuff already in there, wrinkled and forgotten, cold to the touch. Maggie drops her sheets and pulls it out. At first she just tosses it all into the basket next to the washer but that feels aggressive so she pulls it back out again and sets to folding, smoothing out his jeans and his t-shirts, all different colors mixed together. It’s been a long time since she touched anybody’s laundry but her own.

Grant wouldn’t like it, she knows; it’s exactly the kind of thing small dumb thing he’d get jealous over, that they would have had a fight about before. Maggie balls up a pair of Sam’s wool socks and drops them into the basket. She feels guilty, and tells herself it’s absurd.

Once everything’s folded she crosses the chilly yard with the basket tucked into the cup of her hip, lets herself into the barn. After yesterday it feels empty and private to be in here without Sam. She sets the basket at the bottom of the steps to the old hayloft, up where the bed and bathroom are; she stands there breathing in the wood-dirt smell and imagining Sam’s shoulders, wondering what’s on the other side of the door.

Maggie shakes her head, wanting to clear it. God, she’s a ridiculous old bat. Across the yard she can hear Black Dog barking, scratching at the kitchen door to be let out, impatient. She tucks her hands in her pockets and heads for the house.

 

*

 

At work a set of preemie twins take a turn and Maggie comes home and puts bourbon in her coffee, sitting at the kitchen table watching the sun come up. She never used to drink whiskey, she thinks it tastes like an old shoe, but Grant liked it so there’s a lot of it in the house now with nobody to swallow it but her. White Dog rests his head on her knee, whines. Black Dog paces.

“Rough night?” Sam asks, when he comes in to fix himself some oatmeal. He’s already dressed in his stiff twill work pants, his smooth face ruddy from the walk across the yard. Last night he made chowder and left a pot of it in the fridge like an offering. Outside it’s still bitterly cold.

Maggie takes a sip of her coffee, flinches at the burn. “Something like that,” she says. She feels cautious around him in a different way than she used to. Since he got back from Maine she’s avoided the barn.

“Do you like what you do?” he asks, waiting for the kettle to boil. She never replaced the microwave when it broke two years ago, which makes both oatmeal and popcorn into a production by which he is apparently undeterred.

Maggie nods. “Most days,” she says, tracing the arch of White Dog’s furry eyebrow with one finger. It feels dangerous to tell him more than that, like anything she says might betray her. “Today, maybe not so much.”

“Yeah.” Sam’s quiet; the kettle whistles, and he turns off the range. Maggie watches him. “We had a baby, in Nashua,” he says, looking straight at her. His eyes are much bluer than she thought. “I had a girlfriend, and we had a baby. She was only five months pregnant when he was born.”

Maggie thinks of the morning he picked her up at the hospital, his rangy body gone wary and tense. It feels like the first moment after a gunshot. She remembers every stupid useless thing people said after Grant died, their smudgy fingerprints all over a loss that wasn’t theirs to handle. She thinks maybe Sam’s not such a kid after all.

In the end she nudges a kitchen chair out so he’ll sit down and have his breakfast in it. White Dog lets out a low, snuffling sigh. When she tips the bottle into Sam’s mug he nods and taps his boot against hers under the table, like he understands her. After a moment, Maggie taps his back.

 

*

 

That night she can’t sleep so she comes down into the kitchen for a peanut butter sandwich and finds a woman in boxer shorts, a University of Vermont sweatshirt, and a pair of too-big duck boots standing in front of the open fridge, holding two beer bottles. “Who the hell are you?” Maggie blurts, heart tripping. She feels like a German hausfrau in some kind of farce, the old movies she watches on cable when she’s alone and can’t sleep. Black Dog, who followed her down the staircase, parks himself in front of her and growls once.

“I’m Ellie,” the girl says, sounding alarmed. She’s blonde and tall, the same woman Maggie saw Sam kissing, or maybe not. The boxers are his, in any case. Maggie knows because she folded them while he was in Bangor. “I’m Sam’s friend. He sent me down to get beers, he said it was okay.”

Maggie blinks. That pisses her off a lot more than is really necessary, Sam’s friend, like Maggie’s his grandma or the witch in Hansel and Gretel. She scratches Black Dog behind the ears so he’ll calm down. “Well, now you’ve got them, don’t you.”

Ellie’s eyebrows shoot up, half a challenge. She smells, unmistakably, like sex. “I sure do,” she says.

“Okay then.” Maggie stands there, not moving. She knows she’s being a bitch, but she doesn’t particularly care. She wants this girl out of her house right now, wants it like a physical thing, wants to chase her out the door with a broom. She wants Grant, she tells herself. Most of all she wants to stop wanting. “Have a good night.”

“Yeah, I will.”

Ellie goes. Maggie makes her sandwich. She stands at the kitchen sink for a long time after she eats it, peering through the dark at the tree line. Waiting to see if something moves.

 

*

 

In the afternoon she’s getting in the car to go to work when Sam comes out of the barn, like he’s been waiting. “Talk to you for a sec?” he asks, squinting in the watery sunlight.

Maggie nods, feeling caught and defensive. Her head hurts. She didn’t get to sleep until almost five and she’s had that hungover sensation all day even though she didn’t drink anything, fuzzy and dull. “What’s up?”

Sam shrugs, rubbing some invisible scruff on his chin. It’s more than he usually fidgets. “Would you, like, rather if I didn’t come into the house during the night?”

Maggie blinks. It wasn’t you, it was a woman in your underwear, she thinks and doesn’t say. She can just imagine what the girl told him. “Mm?” she says, raising her eyebrows. She thinks of when she and Jessie were kids and about to get in trouble, of playing dumb like that, hoping the other person will draw any conclusion other than the obvious one. She’s a widow, she wasn’t jealous. She’s not. “No, of course not. You live here too.”

“Mag,” Sam says, in a voice like he doesn’t believe her. He’s never called her that before. “Look, if you didn’t like it, I wouldn’t—”

Oh God, that’s dangerous. Maggie shakes her head. “It’s fine, Sam,” she tells him. “Really, of course it is.”

Sam frowns. “Okay,” he says slowly, in a voice like it’s not at all. “But—“

“But nothing, Sam,” Maggie interrupts him. “You pay rent to me, you and your friends can come in the house when you want to, all right?”

For a second Sam—the tenant—just stares at her, hands in his pockets. There’s an expression on his face like she’s out to break his heart. Maggie almost apologizes—that would be the sensible thing, to apologize and escape, but then she just says it: “I’m thirty-three,” she tells him, and it feels like ripping a scab off. Her husband has only been dead for nine months.

Sam laughs out loud at that, sounding delighted, like she’s given him something. “You’re right,” he says, grinning. “You are old.”

Maggie rolls her eyes and scowls. God, this is a terrible idea. “I’m going to work,” she tells him.

“Uh-huh.” Sam keeps smiling, a secret hanging there between them like a summer fruit. “I’ll be here when you get back,” he says.

 

*

 

Wednesday morning Maggie gets home just as it’s turning light out, the dawn dripping up cold and blue behind the barn. She lets the dogs out, fills the coffeemaker, turns on the radio. Opens the door and calls the dogs back inside. She’s halfway through her cup of coffee before she realizes there’s been no scratch and whine at the screen.

“Black Dog!” she calls, slipping her boots on and letting the door slam behind her, crossing her arms against the frozen March wind. “White Dog!”

She shouts for a couple of minutes before she hears barking; Maggie feels a physical rush of relief in the moment before Black Dog darts out of the woods, looking abashed. White Dog isn’t with him. The fear is hot and immediate then, same as opening your front door and finding an Army Chaplain standing on the other side of it, the danger dull and general until the moment it’s not at all. Maggie’s raised these dogs since they were puppies, and not once have they ever come home separately.

She herds Black Dog into the kitchen and takes off at a tear across the long spread of slick, muddy yard screaming White Dog’s name the entire time. Dimly she’s aware of Sam coming out of the barn but she can’t hear anything, the taste of pennies in her mouth and her own heartbeat pulsing thickly at the back of her throat. He’ll come home, she thinks with surprising clarity. He’ll come home, he’ll come home, he’ll come home.

Then she sees the coyotes, and she knows.

 

*

 

In the afternoon the ground’s just thawed and so they bury White Dog under a naked tree on the north side of the barn, Black Dog pacing on his lead where they can watch him. It takes a long, hideous time. Maggie does most of the digging, though Sam offers. Her palms are a bleeding, blistery mess. When they’re finished, dirt filled in over White Dog’s stocky body and nothing left but a scar in the winter grass, Maggie lies down on the wet brown earth.

“Maggie,” Sam starts, so quiet. Maggie shakes her head so he’ll go.

She lies there by herself, mud seeping through her jeans until she’s shivering. She could have stopped this from happening, and now it has. Finally she gets up and brings Black Dog inside, feeds him and changes his water. Then she crosses the yard under a pale gray sky. Inside the barn she passes Sam’s half-finished beds and three rough-hewn table legs with no top to them, things that used to be and aren’t yet. She takes a deep breath, climbs the stairs to the loft, and knocks.

 

five good things 0 comments

five good things

Katie

July 17, 2015

1. It took a full week for my jet lag to wear off but now it has and I once again feel like a human capable of rational thought and possibly even a day without crying! Go ahead, ask me to do math or something. Just kidding I still can’t do math.

2. The last 50 pages of Order of the Phoenix, which really just broke my fucking heart in a way I was not expecting these books to do at all.

3. On Wednesday my husband made me a bowl of chocolate ice cream with Double Stuf Oreos crushed up in it like he worked at Cold Stone Creamery or something. It was amazing. We’ve been together thirteen years this week. I wanted to do something for him that he’d appreciate so I cleaned all the rotted produce out of the fridge and bought a bunch of roast beef.

4. We might get a dog in the next couple of weeks. I don’t know. I’m thinking about it. Thinking about it is part of the joy.

5. Am headed to New York at this very moment for Sierra’s 30th AKA a 48 hour cake and white wine and fun bender, let’s be real.

xoxo

Ladies + Fandom, Uncategorized 0 comments

Ladies + Fandom: Tessa Gratton

Katie

July 15, 2015

I am so excited to be getting back on the Ladies + Fandom horse, and this week’s interview is SUPER RAD: yes hello, I’m chatting with the inimitable Tessa Gratton.

Tessa Author Pic Fall 2011 2MB

 

Tessa Gratton has wanted to be a paleontologist or a wizard since she was seven. Alas, she turned out too impatient to hunt dinosaurs, but is still searching for a someone to teach her magic. After traveling the world with her military family, she acquired a BA (and the important parts of an MA) in Gender Studies, then settled down in Kansas to tell stories about monsters, magic, and teenagers. She’s the author of the Blood Journals Series and The United States of Asgard Series as well as more than a dozen short stories. Visit her at tessagratton.com, @tessagratton, tessagratton.tumblr.com.

 

Who/what are you fannish about? Why do you love it/them so much? Is there anything you don’t love about it/them?

I consider myself a fan of many things, mostly TV shows (Leverage, X-Files, recently Sense8, !!!!!HANNIBAL!!!!!!!!!) and some movies (The Winter Soldier, Pacific Rim, Mad Max: Fury Road) but the thing I really REALLY get hard core about is… Chris Evans/Steve Rogers.

It’s difficult to put my FEEEEEEELS into words beyond melting and sighs and exclamations of perfection. I came to Evans via Tumblr, by which I mean: I knew who he was and had seen him in several movies I liked (The First Avenger and Sunshine, for example), but it wasn’t until I became active on Tumblr about 3 years ago that my eyes were opened to the magic of fandom + gifsets + visual fanfiction. I’d only ever read some Harry Potter fanfiction (HARRY/DRACO 4EVER) and random stuff friends would send me, so it was like this perfect storm after The Avengers came out. I was primed for STONY* and then STUCKY* au gifsets a year later.

*Steve/Tony and *Steve/Bucky respectively. But the truth is I enjoy Steve/Anybody. (Steve/Sam and Steve/Peggy and Steve/Maria… I mean, it goes on.)

Part of what I love is the sheer beauty of this incredible golden retriever’s person. I just love to look at him and admire the perfect combination of genetics and hard work and movie magic that make him appear the way he appears. On a less superficial level, I love the character Steve Rogers because he speaks to me and what I need from my country and from movies about my country (until the most recent movie at least. *side-eye to Age of Ultron*). He is LIKE me, which is probably arrogant to say, but I see a lot of myself in the character. As for Evans himself, he’s a safe, emotional, bro-boyfriend who can’t hurt me and I never actually have to talk to.

What don’t I love? I don’t love that I’m not in control of Steve Rogers. 😉

But seriously, Steve Rogers is a character in a franchise that does NOT always interpret him how I VERY FIRMLY BELIEVE he should be. And Chris Evans is a human being who I don’t actually know. I know his online persona, the face he shows to the world, and let’s be honest: it’s amazing. Every once in a while he says something problematic, but so far (SO FAR) he’s recognized his mistakes and apologized in what seems like a genuine way. I don’t read fanfiction about Evans himself, by the way. As a public figure through my published writing, I need to keep the real person/fandom line a little more strictly than I think most people might. The Chris Evans I adore is not the real one, it’s the Chris Evans cobbled together by the media.

What’s your favorite part of being a fan? What’s your least favorite part?

I love that fandom has it’s own language that covers so many FEEEEEEELS. There are shortcuts and new phrases and re-appropriated grammar for expressing the joyous, painful, ecstatic experience of being a superfan or shipper of something. If I write ;___; for example, everybody in fandom knows I’m not just making a cry face, I’m making a specific sort of happy-to-be-crying-bc-the-feels-are-so-intense sort of cry face. And ;___________; is just more intense than ;____;.

My least favorite thing about fandom is its tendency to suddenly begin policing the feelings and opinions of others. Critique and discussions of problematic aspects of the things we love are not only important, they’re necessary, but there’s a difference between critical discussion and hateful policing of other fans (and creators).

Have you ever written fic or made fanart (of this thing or of other things)? Would you? Would it wig you out if someone wrote fic or made fanart of your work, would you think it was awesome, or somewhere in between?

I have not! I would be terrible at it because I’m terrible at playing in somebody else’s sandbox. Once I was hired to write a short story in an already existing world of a role-playing game and I hated every moment of it despite LOVING the game and loving my eventual product. I felt hemmed in on all sides with rules and worldbuilding another person invented. I need the freedom to make up anything I want or recreate rules or basically do whatever the hell I want. I know some fanfiction writers DO all of those things (especially in AUs) but it’s not the kind of fic I love to read.

I love fanwork of my books. It’s rare, but always delights me because I know for somebody to take that time they must have been touched by my work right in their feels. The first time I saw fanart of Signy from The Strange Maid I lost it. That book mattered to my heart and knowing it hit somebody else similarly was incredibly important and rewarding.

What has your experience been as a lady in fandom? Do you feel like fandom is a gendered space? Have there ever been times you felt unwelcome?

Fandom is definitely gendered space and anybody who says differently is either not paying attention or is selling something. Fandom is considered by our culture to be a woman’s space, so no matter what gender you are within it, you’re engaging with space that is marked feminine and all the trappings that come with women’s space, both positive and especially negative.

There are places I’ve felt unwelcome – but mostly those places aren’t MEANT for me. I’m a creator, and I’m a bisexual white woman in America. There are spaces where I’m NOT welcome for very good reasons.

I also don’t engage with fandom in a very deep way: I don’t write fanfic or make fanedits, I only enjoy and share them. I opine about my favorite shows and movies and books and characters, but I do that in all spaces, not just fandom spaces. My rather shallow participation shelters me from a lot of the sexism and downsides to being a fan.

What has being a fan taught you? 

It’s really driven home the potential for passionate reactions to anything. I try to never underestimate fandom or reader reactions anymore.

How do you think being a fan (of this thing or of other things) interacts with or influences your writing? 

Consuming media – stories in TV or movie or book form – is necessary to being a storyteller, in that it refills my well by reminding me what kind of stories I love, what I need from characters, what I want from books and TV and movies and what I don’t. Participating in criticism helps me tease out themes in my own work and learning to recognize problematic material in the media (and fandoms) I love helps me recognize my own prejudices and privileges.

Of course, all of that can be separated from fandom, and fandom doesn’t have to include the above points of view. I like to think I’m a better fan when I’m in analysis mode, when I’m trying to find over-arching cultural themes and dominant discourses. Those things in turn make me a better artist.

Anything else you want to add?

I keep my tumblr (tessagratton.tumblr.com) pretty focused on my specific tumbler aesthetic of poetry, art, magic, death, war, and politics, but every Friday I post a collection called “Fandom Friday” with all the great fandom stuff I’ve seen that week.

Here are my favorite fanfics right now:

Harry/Draco: “Transfigurations” http://archiveofourown.org/works/59676

Stucky: “Out of the Dead Land” http://archiveofourown.org/works/1871955/chapters/4031307

And “This, You Protect” http://archiveofourown.org/works/1752638/chapters/3745571

Stony: “The (Not Really) Secret Origins of Movie Night” http://archiveofourown.org/works/662044

HOW LIFE IS, Travels 0 comments

happening inside your head

Katie

July 14, 2015

In the lobby of the Fairmont in Manila is a pianist who plays a variety of standards and pop hits, quite loudly, every afternoon beginning at 3pm. Melissa and I make a game of identifying them, “Beyond the Sea” side by side with “Blank Space” and the entire Disney canon. “I feel like I’m in a Woody Allen movie,” I say, as “Bewitched, Bothered, and Bewildered” echoes off the marble floors and high ceilings. I feel like I am in a Woody Allen movie more or less the entire time I am in the Philippines, like my entire life has gotten away from me and the best I can do is hang on and see what happens next.

I was afraid to come, obviously; it’s the furthest I’ve ever traveled by myself and feels like the furthest you can travel, period, even though I know objectively that it’s not. Every night I call my husband from twelve hours in the future and listen to his phone ring on the other side of the world. On the plane I curl up under my blanket scarf with Harry Potter, which I am reading for the first time and which both distracts me and helps keep my anxiety in perspective: Harry’s twelve years old and fighting the sum of all magical evil. Certainly I can saddle up and sign some books.

“Have you sorted yourself?” Robyn asks me over one of our many truly extravagant breakfasts, omelets and bacon and croissants the size of my face. When I tell her I think I’m a Hufflepuff she nods like, that makes sense: a nice girl, a hard worker, loyal. Prefers if you don’t look at her most of the time.

We do mall events that make me feel like One Direction; we do TV shows that make me feel like Taylor Swift. Everyone is so much lovelier to us than they have any reason to be. The fact that I’m reading these books turns out to be a rather excellent talking point—everybody has an opinion about Harry Potter—and I chat happily with more than one reporter about herbology and Scabbers and which characters should kiss. Hufflepuff, I say over and over when they ask me what house I think I’d be in. I’m a Hufflepuff.

Our last day there we have six interviews in the lobby, the coffee table littered with five hours’ detritus and the three of us perched on the sofa like birds on a line. The pianist is playing a vaguely recognizable tune with great gravitas but I can’t figure out what it is, working it over and over in my brain like a kernel of popcorn stuck in my molars; Melissa is halfway through answering a question when I finally realize it is “Killing Me Softly”, which strikes me as the most hilarious thing that has ever happened in the history of the universe, but I know that I can’t start laughing, because if I start laughing I will never, ever stop: at the song, at the situation, at the idea that I came here to this place and did this thing even though I knew with one hundred percent certainty that I couldn’t. I smile, bite the inside of my cheek.

After that everything seems easier somehow, like I’ve finally figured the spell out; suddenly I am sliding into a cab and onto a plane and flying back over the ocean, moving back in time and going home. “There you are,” my husband says, when he picks me up at the airport.

“Here I am,” I reply, and take his hand.

Two nights later I have dinner with a friend back in Boston. We talk about my trip and about her summer internship; we talk about Harry Potter, like you do. She asks if I’ve sorted myself and when I tell her Hufflepuff, she shakes her head as if that’s the stupidest thing anyone’s ever said.

“You’re a Gryffindor,” she tells me, like she can’t believe I don’t know myself better than that. “It’s just that you’re a different kind of brave.”

 

 

these days 0 comments

these days

Katie

July 13, 2015

falling asleep at 7:30 every night and waking up at 5:30 every morning thanks to a massive case of jet lag

listening to Omi’s Cheerleader on repeat in anticipation of a reunion with my best beloveds this weekend

reading Order of the Phoenix and wanting to shake Sirius Black by the scruff of his canine neck

plugging away at revisions on book 3 and feeling so excited to share more about it here soon

smashing up our first floor bath in preparation for something a little more snazzy

taking care of a thousand unglamorous little tasks I put off until after the Philippines

planning the rest of the summer and making lots of space for naps and fireworks

settling back into a routine

feeling so hugely, enormously grateful

 

(hi, guys. i am so happy to be back in this space.) 

 

 

five good things 0 comments

five good things

Katie

June 26, 2015

1. Emery Lord‘s 90s Myers Briggs, by which she can discern your personality profile in exquisite detail based on your favorite Spice Girl, favorite Babysitter, and favorite American Girl. Emery is a genius in all matters, and this was literally my favorite thing that happened all week long. If she did birthday parties I would hire her to do mine.

2. Kacey Musgraves‘s (Musgraves’? Who the hell knows) new album, Pageant Material, to which I have been rocking out all week long and for which I intend to pay actual money on iTunes so I can listen to it on my trip.

3. When you hit that point where you have so many things to be stressed out about that you can’t be too stressed out about any one thing and you kind of hit a weird state of zen and just Kanye shrug everything and start making inappropriate jokes.

4. I don’t know if I say this enough, but one of my very favorite things–maybe my very favorite thing–about writing YA is all the fierce, amazing women I have met through this community. I’ve been thinking about that a lot this week, about all the different ways that YA writers support and look out for each other. I’m so proud to call this my neighborhood.

5. The new pants I bought for my trip to the Philippines. OH HEY, I am leaving for the Philippines on Monday! Posting will be light to zero, depending on how well that Melatonin I bought works, but you can follow along on twitter where I will also be live-tweeting my maiden read of the Harry Potters: #KCreadsHP. Will I panic on the airplane? Is Snape good or bad? I CAN’T WAIT TO FIND OUT.

So many adventures! Be good, you guys. See you on the other side.

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Love Junkie.

Katie Cotugno

Katie Cotugno is the New York Times bestselling author of eight messy, complicated feminist YA love stories, as well as the adult novels Birds of California and Meet the Benedettos. She is also the co-author, with Candace Bushnell, of Rules for Being a Girl. Her books have been honored by the Junior Library Guild, the Bank Street Children’s Book Committee, and the Kentucky Association of School Librarians, among others, and translated into more than fifteen languages.  Katie is a Pushcart Prize nominee whose work has appeared in The Iowa Review, The Mississippi Review, and Argestes, as well as many other literary magazines. She studied Writing, Literature and Publishing at Emerson College and received her MFA in Fiction at Lesley University. She lives in Boston with her family. 

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